The Love-Doll and two Kids will be the first Midwestern solo gallery exhibit of American photographer Laurie Simmons, offering two current systems of work that use feminine love and dolls—male CPR dummies dolls—as their subject. Simmons appeared within the like a person in the Images Era, several photographers who appropriated commercial marketing and media to react to America’s political and cultural changes. Throughout her profession, Simmons has captured a number of dolls—from ventriloquist dummies like a accessible method to figurines—and dollhouse paraphernalia to analyze issues of feminism, sex, and domesticity.

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